This review highlights the volume’s historical breadth, from ancient magic to modern media representation. It pays particular attention to how visual culture helps organize witchcraft and magic as both scholarly objects and normative cultural imaginaries.
The review page states that Lepage had recently received his doctorate in religious studies at UQAM, which keeps the entry tied to the broader scholarly trajectory represented on the site.
Because it is openly accessible on the web, the review provides a lighter-weight public-facing complement to the journal and chapter archive.